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Scherpenheuvel-Zichem, Vlaams-Brabant

The Pilgrimage to Montaigu

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On a hill in the Hageland stands the basilica of Scherpenheuvel — the greatest Marian pilgrimage site in the Low Countries. For more than four hundred years pilgrims have come from far and wide to pray before the miraculous statue of Our Lady.

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1 The Miraculous Statue on the Oak

According to tradition, in the fourteenth century a small statue of Mary hung on an oak tree on the Sharp Hill. A shepherd tried to take it away, but no matter what he did the statue always returned to the tree. The news spread and people came to look.

Soon healings were reported. The lame walked, the blind saw, the sick recovered. The oak with the statue became a place of pilgrimage. The pilgrims came first in dozens, then in hundreds, then in thousands.

2 The Basilica on the Hill

In 1603 Archduke Albert and Archduchess Isabella visited the hill and believed they owed a military victory to Our Lady of Scherpenheuvel. They commissioned a basilica unlike any other in the Low Countries — a heptagonal domed church, the first of its kind.

The construction took years. Around the church an entire town was laid out with seven streets radiating like a star towards the basilica. The floor plan symbolises the seven joys of Mary — each street a joy, each corner a prayer.

3 The Pilgrims Still Come

Four hundred years after its founding the pilgrims still come. On foot, by bicycle, by bus — more than one million visitors a year. In November, around the feast of Our Lady, the crowds are greatest. The candles burn day and night.

Scherpenheuvel is more than a church on a hill. It is a place where faith becomes tangible — in the worn steps, the flickering flames, the whispered prayers. As long as there are people who seek hope, they will climb the hill.

Source: Pilgrimage tradition of Scherpenheuvel (Montaigu), Flemish Brabant
Did you know? The basilica of Scherpenheuvel was the first domed church in the Low Countries, built at the behest of Archduke Albert and Archduchess Isabella around 1609. Its heptagonal floor plan symbolises the seven joys of Mary. More than one million visitors come each year.
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